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Review of John Logan Hmm/Hmm

Jack Caron as Kane, Cooper Koch as Stu, Juan de Jesus as Robert, Darwin Del Fabro as Gabriel, Austin Crott as Toby, Kui Tan as Alexandra, Theo Germaine as Jordan, Monique Kim as Veronica in movie they/them.

Jack Caron as Kane, Cooper Koch as Stu, Juan de Jesus as Robert, Darwin Del Fabro as Gabriel, Austin Crott as Toby, Kui Tan as Alexandra, Theo Germaine as Jordan, Monique Kim as Veronica in h/them.
picture: Josh Stringer/Bloomhouse

Oddity is so immersed in the cinematic roots of horror that the two are almost inseparable, but it’s only recently that the connection has been explored more clearly in its characters and stories, after being immersed metaphorically or objectively in the remnants of a fanatic and oppressive past. In this sense, a movie like h/them It is an imperative, remaking alien life in America through cinematic metaphors of horror that have provided sanctuary for many in this very society. The moments where she manages to comment on the continuing fight against LGBTI people feel like a landmark in queer cinema, proudly planting the flag of pride in the fertile fields of the horror genre. Unfortunately, h/themThe biggest bump comes from the identity crisis—not in her queer characters or themes, but in the conventions of the genre she uses, and a misunderstanding of the opportunities her storytelling offers.

Written and directed by John Logan, they / they –pronounce "hmm scale down Highlighting them, 'Got it?' – highlights a week at conversion therapy camp, led by magician but mysterious Owen Whistler (Kevin Bacon). After an introductory monologue free of shockingly hate speech into the Bible, we’ve introduced his division of camps into cabins for boys. and the girls to Jordan (Theo Germaine), a non-binary person whose pronouns are theirs. Surprisingly, Whistler understands Theo’s transition and requests that they sit with the boys in the spirit of the camp’s community growth spirit. However, as the week progressed, Jordan and the other campers noted that Something is upset about this place as the camp tries to live up to its fake therapeutic reputation.

This overwhelming sense of error is in the end where h/them Most excel, creating a sense of awe as the initially attractive and transparent process invites campers to adopt a more "gender normative" lifestyle. This concern manifests itself in quite obvious ways, such as when a transgender woman Alexandra (Koi Tan) is forced to sleep with the boys after her supposed "cheating" about her gender. But the camp is more insidious in how it draws on and exploits teenage shyness.

One constant refrain in interactions between counselors and camp is that misguided teenage anxiety drives these young men toward a gay "lifestyle", as do characters like Kim (Anna Laure), a trans young woman whose desire for normalcy is eclipsed by her allure. to women; Veronica (Monique Kim), a self-obsessed bisexual; Or Stu (Cooper Koch), an athlete who sees his attraction to men as a hindrance to his chances as a college competitor. Of course, there are people in the group who are forced to attend at the whims of parents with rewards or ultimatums, such as the wonderful Toby (Austin Crout), but there is an implicit feeling that these people attend camp primarily due to a lack of love and acceptance from their families and communities.

This feeds into the mounting tension which gives the film a progressively more oppressive atmosphere. When the camp counselors begin to show their true colors, h/them He delves into a special point of insight about conversion therapy camps as self-sustaining monster factories, where this exploited shame transforms into a destructive force. Filming a healing session between Jordan and camp co-owner Mrs. Whistler (Carrie Preston) is an especially powerful exploration of the point, unsettling in its quiet intensity and foreshadowing the ultimate atrocities that this kind of self-hate encouragement can foster.

If this doesn’t look much like a flick, it’s because the movie has a strained relationship with its central ego. Yes, there is a sinister character lurking around the perimeter of the narrative, although their presence is somewhat restrained and almost ephemeral, as if the film was edited in this way only to remind you intermittently of its terrible title. In fact, the movie doesn’t really get choppy until the last 15 minutes or so, and even then, the faint outbursts of violence leave little deep impact as the story heads toward the forced ending, especially in contrast to the steadfast emotional manipulation of the previous two works.

h/them | Official Trailer | original peacock

The weak ending also highlights the wrong priorities in Logan’s scenario, which not only fails to identify what motivates the camp’s shift if not outright religiosity, but spends a lot of time establishing and learning about the gay camp, only for them to be irrelevant to the actual decision of the plot. . Jordan is a compelling embodiment of their collective defiance against the camp’s "treatment" brutality, but the rest of the younger members of the group mainly serve as recipients of abuse, even if it causes some disguised moments of excruciating horror. Logan’s attempts to humanize these children are so commendable that gay people deserve to be seen as more than just victims of society, but the balance between empathetic portrayal and shocking reward skews so badly towards the former that the latter seems to belong in a completely different movie.

h/them It gets points for atmosphere and theme, but it’s uneven in the end to stand as either a coherent condemnation of the actual torture of conversion therapy or as a healing release through the power of horror metaphors. It’s wrong, but still nominally compelling so long as one is prepared for that proud slash to pierce the established mood, so that the film deflates like a half-full balloon.

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Why did jazz greats like Frank Sinatra thrive in mob empires

When jazz was born in New Orleans brothels in the early 1900s, her parents were musicians and gangsters.

Author TJ English’s latest book, "Dangerous Rhythms: Jazz and the Underworld,Released on August 2, explains why jazz greats like Louis Armstrong, Duke Ellington and Frank Sinatra It thrived within mob empires headed by the likes Al CaponeMayer Lansky, John T. diamond "legs" and Charles "Lucky" Luciano.

"Jazz started at the end of a long period of lynching after the Emancipation Proclamation," English told The Post, speaking from his Manhattan home where he lived for 32 years. "Music seems to me an attempt to create a new reality," he added. “The music says, ‘We are alive.’ I see jazz as a response to terror and violence.”

English, who has written several books about the criminal underworld, as well as episodes of "NYPD Blue" and "Homicide: Life on the Street" on TV, said the unexpected relationship between black musicians and Italian gangsters made sense in the context of the oppressive social order. turn of the century.

52nd Street is lined with clubs
And clubs lined up on 52nd Street in Manhattan, once a jazz center.
Library of Congress William P. Gottlieb . Collection

Jazz made its debut in New Orleans, where Sicilian and Black American immigrants faced the same predicament – they were excluded from the wealthy white Anglo-Saxon Protestant community and harassed by corrupt white police officers.

"Blacks had less fear of a mafia boss than a white police officer," said English, a jazz fan. They saw the mob as their protection in the commercial market. This was very true of Louis Armstrong. He knew you had to have a gangster for protection. Lewis said, "Get the biggest gangster you can." "

New Orleans recipe – where black performers allied with gangsters who oversaw one of the nation’s first legal acts Red Light Districts, Storyvillewhere brothels and bars flourished – spreading to Kansas City, Chicago, New York, and then Las Vegas.

Louis Armstrong in King Oliver's Creole Jazz Ensemble in 1923.
Louis Armstrong in King Oliver’s Creole Jazz Ensemble in 1923. The band often played at Mafia-run Capone Clubs in Chicago.
Hogan Jazz Archive Tulane University

In 1920, Prohibition ushered in a new era of nightlife when the white community began flocking to partying.

"They went where the wine was," the English said. Nightclubs became socially acceptable, jazz entered mainstream entertainment even as society otherwise remained separate, and underworld soup became a business model.

And many mob bosses really appreciated jazz.

"[Al] Capone was the largest benefactor. English said he loves music,” adding that his followers once “kidnapped” New York native Fats Waller after a 1926 performance in Chicago to surprise Capone on his birthday. Waller was very relieved when he realized what was going on.”[Capone] He was good for musicians: he distributed money throughout the jazz world. "

Beyond just bombing for entertainment and liquor, the gangsters continued to stick to their part of the deal to keep the performers safe.

By the late 1920s, white performers had opted for jazz, and artists such as Bing Crosby popularized sound, perfecting vocal jazz. By 1932, Crosby was one of America’s biggest singing stars, and when a bad guy tried to take advantage by extorting Crosby for protection money – that is, protection from his fatal beating – the mob intervened.

Al Capone
Composer TJ English said Al Capone was "the greatest benefactor" to jazz musicians.
Library of Congress

"Crosby was battering at the dough at the time and his department, the MCA, had contacts with the mob," English said. "MCA sent a gangster named Jack McGurn to deal with him. McGurn takes the guy and kicks him out and never blackmails Bing again."

Bing and Jack – also known as "Machine Gun Jack", who are reported to have participated in the St. Valentine’s Day massacre in 1929, when seven Irish gangsters were murdered by Capone’s rival Italian crew – They became friends playing golf afterwards.

But "the biggest singer in the US playing golf with a gangster didn’t look good," English said. “So Bing ended the friendship. Jack was actually killed eight months later, so perhaps it would have been wise to end it.”

Even as jazz became all-American music, and the genre accelerated into various styles, from Crosby’s croon to wild swing and then bebop, ties to the criminal underworld and gangs, be they Italians, Irish, or Jews, were tightly bound.

Bing Crosby
"One thug tried to blackmail Bing Crosby for protection money," author TJ English told The Post.
Bettmann Archive/Getty Images

English recalls "The most popular club in New York City in the 1940s was Birdland, owned by Mo Levy, a gangster who sold heroin outside the club."

Mo’s brother Irving ran the club, delighted with big stars like Marlon Brando and writers like Norman Mailer, who were regulars. One night in 1959Irving was stabbed and killed by a pimp while the band was playing. "It was exciting," he said in English. One newspaper headline wrote, "Jazz serves as a backdrop for death." "

Then came Rat Buck and Old Blue Eyes, who have dominated the modern pop-jazz scene, and their headquarters, set up by the Las Vegas mob, has become the epitome of glamorous American nightlife and the “good life.”

Show at the Birdland Restaurant on December 16, 1949. From left to right, trumpeter Max Kaminsky, saxophonist Lester Young,
Show in Birdland on December 16, 1949 (from left to right) trumpeter Max Kaminsky, saxophonist Lester Young, Oran page "Hot Lips", Charlie Parker on alto sax and pianist Lenny Tristano.
Bettmann Archive/Getty Images
The first Blue Eyes at the Westchester Premiere Theater in 1976. Top row: Paul Castellano, Gregory de Palma, Frank Sinatra, Thomas Marson, Carlo Gambino, Aladena 'Jimmy' Fratianno, Salvatore Spatola.  Bottom row: Joe Gambino and Richard Fusco
Old Blue Eyes (third from left in the back row) at the Westchester Premier Theater in 1976. Top row: Paul Castellano, Gregory de Palma, Frank Sinatra, Thomas Marson, Carlo Gambino, Aldina "Jimmy" Frattiano and Salvatore Spatola. Bottom row: Joe Gambino and Richard Fusco.
FBI pictures

"Sinatra’s relationship with the mob was very specific, very real," said English. "Gangsters ran casinos and clubs and booked the music they liked."

Which, by the 1960s, didn’t resonate with young men screaming for the British invasion or the anti-establishment hard rock of hippie culture.

Young people thought Vegas was fun. Music was the music their parents loved, he said. Jazz, once the music of rebellion, is starting to look old-fashioned in comparison to pop, rock and soul music in youth culture, and the mob’s control of the entertainment business is starting to show cracks. By the 1980s, the old gangster world had collapsed and jazz had lost its financial support.

By that time, however, jazz was recognized for its artistic merits and cultural institutions such as Jazz at Lincoln Center Intervened.

"[At the beginning] "There was no sponsorship from the institutions of culture and wealth," English said. “Jazz wouldn’t have happened at this level. She had to earn her place at the table.”

This would never have happened had it not been for mobsters, and performers who had been silent for decades about what they saw.

The English said of the musicians: "They kept their mouths silent." "They played, got paid, and didn’t talk outside of school."

The English said it was ultimately because gangsters and jazz greats were united in the same goals, and that was all that mattered to them.

"It was really the same pursuit of the American Dream," said English. "Just from rock bottom."

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In Wisconsin, what are my options if genetic testing shows the fetus is not viable?

In the wake of the US Supreme Court’s overturning of federal abortion protections and Wisconsin has banned nearly all abortions After its entry into force, some people questioned the implications for genetic testing.

Specifically, people communicated with Wisconsin Public Radio Why Wisconsin The question of what options are available to pregnant women now when genetic testing shows abnormalities in the fetus, including those that do not allow the baby to survive outside the womb.

A Wisconsin woman was 9 weeks pregnant when she reached out and asked about it. Why doesn’t Sconsin use her name because she fears she will be shamed or incriminated for asking these questions.

"I am currently 9 weeks pregnant and a much needed baby," she wrote. “Because I will be 35 at birth, on the advice of my doctor, I will have genetic testing to make sure the baby is healthy and viable. If I find out that it is not, what are my options? Will I have to wait until my life is in danger before considering abortion as an option?”

In the United States, it is common for providers to offer and discuss genetic testing as part of prenatal care, according to medical professionals interviewed by WPR. Some tests can be done before pregnancy, When people think about having a baby. During pregnancy, tests It takes place during the first and second trimesters of pregnancy Provide information about the fetus, including whether it can be born with certain genetic disorders and if the fetus is incompatible with life, which means the child will not survive outside the womb.

The Wisconsin mother, who also has a 2-year-old, and her husband are thrilled that they are having another child, but they don’t know how recent legal changes affect her pregnancy is causing her anxiety.

"I’m so excited to have another baby," she said in a follow-up interview. "But I’m afraid if something happens to our baby, what are our options. If that’s not possible, if there are just crazy birth defects or things that make it incompatible with life, will I have to put up with it or if something happens, maybe not necessarily a miscarriage, but If there is no heartbeat, will I, again, have to wait until my life is in danger before there is any medical intervention available to me here now?”

In Wisconsin, the ability to undergo genetic testing has not changed; It is the ability to act on the information gleaned from these tests.

James Lane, an obstetrician-gynecologist with Ascension Wisconsin in Milwaukee and a member of the American Association of Pro-Life OB-GYNs. He said he had not heard of anyone questioning the legality of genetic tests, and he said he did not believe providers had stopped offering or discussing genetic tests since the government ban was imposed.

"The intent of the law is not to allow the abortion of any unborn child," he said.

The 1849 ban on abortion in Wisconsin unless the life of the pregnant woman was in danger. This means any genetic disorders Found in the fetus through genetic testing is not a legal reason for an abortion in Wisconsin. If someone wants to terminate a pregnancy, they have to go to a state where it is legal or wait until a medical emergency requires action to save the patient’s life, said Dr Wendy Molaska, president of the association. Wisconsin Medical Association.

This is how UW Health understands, too.

“In the absence of any maternal disease, genetic abnormalities in the fetus — including those that do not allow the fetus to survive outside the womb — do not constitute a life-threatening condition for the mother,” said Dr. Lisa Barwellheatt, interim chair of the Department of Obstetrics and Gynecology, College of Medicine. Medicine and Public Health at the University of Wisconsin, in a written statement. "Because abortion is not performed to save the life of the mother, it would not be legal in Wisconsin under the 1849 law."

Across the country, providers are trying to understand which laws have exceptions like this, exceptions Some feel it is not well defined.

Molaska has been practicing family medicine for over 20 years in Wisconsin. She runs her own clinic, Dedicated Family Care, in Fitchburg.

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As a doctor who worked in obstetrics and gynecology in rural areas, Molaska saw patients grappling with the news that their child would be born with serious birth defects, such as brainlessnesswhen a child is born without parts of the brain or skull, or Trisomy 18When a child experiences heart defects and infections that can lead to death.

She has had difficult conversations with her patients about test results, and she has patients who have taken both paths: termination of pregnancy or continuing a pregnancy.

“I think what this really results in is that the conversation has to be a conversation between (a patient) and her provider,” Molasca said. "…I think a physician should be able to talk to their patient about what all the options are…all the evidence we have and then the patient and her family make that decision in terms of their own values ​​and what they see as what they want to do."

Since arriving, the mother from Wisconsin has completed genetic testing in her first trimester. Her husband was adopted, and they don’t know much about his parents' medical history, so they decided to get genetic testing done while pregnant.

Dr. Kara Goldman, professor of obstetrics and gynecology at Northwestern University, said family history and a desire to know if the baby could have any genetic abnormalities are common reasons for testing and can help with decisions.

"I think it’s important to know that a lot of people get themselves checked because they want to be able to prepare for what’s going to happen to their families," Goldman said. "And so if the pregnancy is chromosomally abnormal, patients might decide, 'It’s important for me to know so I can prepare our family members, so we can have the resources, so we can go to the right doctors. "So it’s not just about using the information to finish, but it’s really important to get that information, so patients have that choice."

Lane and Goldman said another reason for doing genetic testing is to help identify resources and help parents and families they might need for the birth, baby, and family unit.

"These are optional tests that some parents want so they have a chance to prepare for the birth of a child who may have some abnormalities," Lynn said. “Sometimes they have a previous baby who is in trouble and just want to know how to prepare for the next baby. Or they want to put their minds at ease that there is nothing else to suspect that is not normal. So sometimes it’s just getting ready for that getting everything ready, preparing the family and making plans for the baby. The new. Another reason is just to relieve anxiety.”

If a provider performs an illegal abortion in Wisconsin, they do could face a felony. Patients do not face trial. Wisconsin Attorney General Josh Cole said: Don’t plan to enforce the ban of 1849, although local law enforcement can. Governor Tony Evers said he would grant amnesty to those tried under the ban. The statute of limitations is longer than that of Cole and Evers.

This story came from a question as part of the WHYsconsin project. If you have a question about abortion access and reproductive rights, submit your question below or at wpr.org/WHYsconsin and we may answer it in a future story.

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Four more screenshots please, season 3 release date, cast, plot details, where to watch, and more

Four more outrageous please shots will be back for another round – and this time, the girls will be more unapologetic than usual (or so we expect). The series, which airs on Amazon Prime, stars Kirti Kulhari, Sayani Gupta, Bani Judge and Maanvi Gagroo. In the past two seasons, we’ve seen their misadventures and failed adventures, torn friendships, disturbed love lives, and workplace chaos, as they struggle to find themselves. Of course, the only thing that works for them is their friendship and a few shots at their favorite bar. With the release of Four More Shots Please Season 3 just around the corner, here’s everything you need to know:

Release date for four more clips please season 3

Four more shots please!

Four More Shots Please Season 3 has officially been confirmed; However, there is no word on when it will be available to watch in India just yet. The season three final schedule for Four More Shots Please kicks off in Europe in April, so perhaps in August or September we can expect the show to start streaming online.

Four more clips please season 3 cast

Four more shots please stars Kirti Kulhari, Sayani Gupta, Bani J and Maanvi Gaagroo. The series also stars Prateek Babar as Jeh Wadia, a friendly neighborhood bartender, Neil Poupalam as Varun Khanna, Kirti Kulhari’s ex-husband and Simon Singh, as Sidhi’s mother. Other actors who frequently appeared on the show are Milind Soman, Ankur Rathi, and Amrita Puri.

Four More Clips Please Season 3 Trailer

Watch Four More Shots Please Season 3 Online: Where Will It Be Broadcast?

Season 3 of Four More Shots will air on Amazon Prime just like Season 1 and Season 2.

Four more shots, please summarize

Four More Snapshots Please is about four women who live their lives in complete chaos, but their friendship helps them survive the chaos. Sayani plays hot journalist Damini Rizvi Roy (fondly referred to as Dee), while Kirti Kulhari plays Anjali Menon, a lawyer and single mother. Manvi Jagru plays Siddhi Patel, the child of a rich family who carries a constant barrage of weight and marriage. Bani Judge plays the hot-headed Umang. The show received mixed responses from critics, with many calling it somewhat fragmented and cliched. However, many enjoyed the utterly "outrageous" nature of the series, saying that it was the first show where women were shown in such a realistic way. The program has a rating of 7.1 on IMDB.

season 1

We are introduced to the four girls, Umang, Damini, Anjana and Saddi, who are all different in their own ways, but united in friendship. As Damini struggles to spread the true truth as a fierce investigative journalist, Siddhi is pressured by her mother to find the perfect man and be a 'size zero'. On the other hand, Anjana has to come to terms with the fact that her ex-husband loves someone else, while Umang’s anger issues get over her. With car accidents, rushed hospital visits, broken engagements, and heartbreak all over, Season 1 ends with a major battle.

season 2

In the second season, a frantic phone call from my master in Istanbul brings them together again and they swear an eternal friendship from the top of Galata Tower, while showing their love on the streets of the Turkish city. In the second season, Anjana, who has now entered into a new relationship, fights gender discrimination in the workplace and the anger has stopped, while Siddhi is now trying to lend her hand in stand-up comedy, while Umang is still trying to recover from the heartbreak. Damini is working on a book. Girls will never get things right – but at this point, they don’t really care.

Four more clips please Season 3: What to expect

While details are still scant about Season 3, we know we can handle a lot of weird European locations. The little teaser tells us that Milind Suman’s handsome gynecologist character continues to move on Damini, and we can even expect a lot of mayhem from Shibani Sushmita. However, the biggest problems seem to be between Umang and Lisa Ray’s wedding photoshoot in Samara – Umang seems to be feeling somewhat uncomfortable with this new life. So, we can expect more drama and chaos to follow.

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Celebrity voice acting needs to evolve or die

Poster for the movie DC's League of Super Pets, featuring Krypto and Ace.

picture: WB . Animation

The big movie of the weekend is the CG animated movie DC’s Super Pets LeagueAnd the Which is famous for its stars, a group of well-known actors, led by Kevin Hart and Ultimate Black Adam Dwayne Johnson. super pet Join Disney Light year Earlier this month, along with the latest release now paws of anger They are animated films whose cast is made up of big-name actors rather than voice actors. And in recent months, the luminosity around this trend has begun to fade, if not quite subdued.

Celebrity-led animated films have been around for nearly as long as some of us have been alive, but they really took off with Disney. Aladdin Back in 1992. To persuade Robin Williams to sign up to voice Genie, directors Ron Musker and John Clements asked animator Eric Goldberg to draw Genie doing one of the sets of the late comedian. It was those animations that won Disney and the actor, and the movie itself succeeded mostly because of its performance. Since then, there are at least three big animated films a year – usually from Disney in some form or way – featuring well-known actors and starring the main characters. In the case of some movies and shows, celebrity voices are really the only thing you’re after.

Image of the article titled Please bring back the voice actors, stop the celebrity voices

picture: Riot Games / Fortich / Netflix

This probably wouldn’t be a big deal if these actors didn’t sound like they were just talking into a microphone. You might be watching Disney strange worldAnd the And there’s Jake Gyllenhaal talking like he does in a regular live action movie that doesn’t involve global disasters or trick a child soldier intoSupplying him with deadly drones. This lack of energy and skill kills an animated movie or show no matter how good it is, and it becomes incredibly clear just how much of a stunt the cast actually said. We all have different examples to draw from in this regard, but for me the most obvious contrast comes in the form of 2019 Mortal Kombat 11. For a variety of reasons, Casting Ronda Rousey Like Sonia Blade of the worst things About that game, and for a game with a strong voice ranging from Ron Yuan’s Scorpion to Cary-Hiroyuki Tagawa’s Shang Tsung, her performance stands out even more. And you I know Netherrealm realized this because the character does not have voice lines in the game’s story expansion "Aftermath".

voice acting A profession different from live work, requires a different amount of skill. If you’ve ever watched a series or cartoon, no matter what country it’s from, you know it’s true. Yes, there are some great actors whose voices are primarily designed for vocal shows, such as Keith David or Angela Bassett and JK Simmons. But in general, you can tell when voice actors approach a role as if it’s their job versus something they can do in between other bigger projects. Some voice actors have their own brand of fame, and that should be developed rather than being brought into supporting roles while the top billing actors get the highest billing.

To be fair, there has been a solid list of great actors who have proven themselves to be capable voice actors, or at least on projects that require them to work on them. And when celebrity voices outshine, they truly excel. Show like Bojack Horseman (or recently, Toka and Bertie) gets away with this by having celebrities come up with their A-game, and in some cases, you might not recognize an actor until their name appears in the credits. argan, Featuring notable TV and film actors Hailee Steinfeld, Shora Agadachlo, and Kevin Alejandro along with veterans like Reed Shannon and Jason Spisak, it neatly splits the difference. Both levels of actors have great material to work with, and the live action actors gain their weight easily.

The Clone Wars Voicing Obi-Wan and Rako Hardeen + Melkor (SWP)

The animation industry makes an effort to improve working conditions and takes the rest of the entertainment very seriously. Somewhere along the way, it would be nice if animated projects weren’t forced to rely on celebrities for notice or prestige. As the saying goes, it’s not what you say, it’s how you say it. And Wassila has a group of vocal talents who know how to say it.


Want more io9 news? Check out when to expect the latest marvel And the star Wars Releases, what’s next for DC Universe on Film and TVAnd everything you want to know about him Dragon House And the The Lord of the Rings: The Rings of Power.

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Maneskin to feel free, find fame and embark on their first world tour

In 2021, the band – made up of vocalist Damiano David, guitarist Victoria De Angelis, guitarist Thomas Raggi and drummer Ethan Torchio – won Europe’s biggest song competition, Eurovision, and they haven’t been held back since.

They scored three times at #1 this year only on the Billboard rock charts: their viral cover of Frankie Valli’s Beggin', "I Want to Be Your Slave" and "Model".

They were also recently nominated for two MTV Video Music Awards, including Best New Artist. They dropped by "The Tonight Show with Jimmy Fallon" and titled "Saturday Night Live."

A little over a year ago, the four rockers were little-known musicians playing on the streets of Rome and battling other street performers for a corner spot that would attract the most people. Now, attracting the audience is as simple as announcing their upcoming concert.

Earlier this month, they performed in front of a sold-out crowd of 70,000 at Rome’s famous Circus Maximus and were invited to perform at some of the biggest music festivals in the US, including Coachella and Lollapalooza, where they will debut this Sunday.

This fall, they’ll embark on their first world tour, which will take them across the US, Europe and Latin America with tickets selling out fast and dates stretching into 2023.

CNN reporter Maria Santana caught up with Maneskin in New York before they were shown to a smaller, more intimate audience at the city’s "House of X" as part of the Small Stage Series Sirius XM, and spoke with them about their meteoric rise to fame, their humble beginnings, and the next stops on their tour. Global, covering "The King of Rock and Roll," Elvis Presley, and Why They Stand by the People of Ukraine.

Conversation has been edited for length and clarity.

The first thing I have to ask is how do you pronounce your band name?

Everything: skin whine ah!

Santana: I always hear Man-Eh-Skin.

Victoria de Angelis: Yes, everything is fine.

Santana: So, Moan-A-Skin?

Thomas Rage: The perfect Moan-A-Skin.

What does manskin mean?

De Angelis: means moonlight. I chose it when we first started playing because we needed to join this music competition, and we didn’t have a name yet, so they just told me to say random words in Danish, and we picked one.

Looking back on this past year I’m sure it was totally crazy for you, where were you a year ago now?

Damiano David: Yeah, it’s been a crazy ride, but of course we’re really happy with everything we’ve done, and every time we look back, all the steps, we’re so happy and so proud.

What is the most surprising, and perhaps most exciting, thing that has happened to you in the past year?

Raj: I think we’ve had a lot of great moments over the past year. A song with Iggy Pop is probably one of those, of course, and plays with The Stones. I mean a lot, it was a lot.

Now you fill the stadiums with 70 thousand people, tickets sell for 80 thousand, and you said it’s really hard to find a place to play in Italy. How was that when you started?

De Angelis: It was very difficult because there is no rock scene in Rome, so there are no clubs that want bands to play, and people are not very used to going to up-and-coming artists' concerts.

They only went to the celebrities they already knew, so it was really hard and that’s why we started playing in the streets. We’ve always quarreled with other street performers for the best spot, and we’ve never won, but… (Laughter).

Then you did Eurovision, how did you change your life?

David: I think this was our first actual window out of Italy. From that moment on, we were just setting up our projects for Italy and Italy and that was an opportunity to take off in Europe, then from Europe to the US, and hopefully grow more and more.

How do you feel about winning Italy? It’s been 30 years since Italy won the Eurovision competition, and then I won rock 'n' roll, the genre that wasn’t too big there?

Raji: Yeah, that’s crazy.

David: I think that was unexpected for everyone.

De Angelis: Yeah, everyone was very proud, a big celebration.

A lot of times for Eurovision winners, they have that big moment and then they kind of disappear. What do you think makes you guys so different from being able to put up with this and throw it around a lot and become such a global phenomenon?

David: I think Eurovision came at a very opportune moment because we just came out with an album, so what we brought to Eurovision was basically just one of the things on the whole album and it was new, and it was very original to us. So, I think people were happy to find a great deal of correlation between what we brought to Eurovision and what they saw in our catalog, and they felt like, OK, this isn’t just a viral song that they made specifically for Eurovision, but it’s just one of their songs and then they have two albums, And all of this is logical.

Then she releases the song Beggin which turned into the most successful rock song of the past year. I mean, I’ve woken up every morning I think for the last year like, (singing), "I’m begging, I’m begging 'you’… (Laughter) … It just gets in my head, and then come on, just get out!"

David: Yeah, it’s our fault, it’s our fault, (Laughter). Well, it’s not our fault because we didn’t promote it. It’s TikTok’s fault. It has gone viral. We were very shocked by it. When we saw it grow, we were like, what’s going on, and then we found out that it was viral on TikTok and all that happened after that.

Why that song? It’s a cover of Frankie Valli and The Four Seasons, and I can’t think of a more different style than you guys and The Four Seasons.

De Angelis: Actually, we played it in the beginning, when we were just getting started, and we think it’s very difficult to create songs for very different songs that are more fun. So now we’re also playing Britney Spears' "Womanizer," for example, and we find it challenging and motivating, and it really gets you to interpret something different and bring it up yourself. That’s when you make something good, I guess.

I’ve also covered "If I Could Dream" for the Elvis movie, What was it like to sing an Elvis song? I mean, you know, "the king of rock and roll."

David: Well every time when we have some big deals we try not to think about it too much because then you get anxious and you feel pressure. When we had the opportunity to play a cover role for Elvis, we didn’t feel like we were up against Elvis because that was impossible, you can’t try to fight with Elvis' legacy. We were so happy, so happy and so honored just to have the chance to play one of his songs, and we focused on that, and focused on doing the best we could on that song without even comparing it to an Elvis one because, of course, he is untouchable.

Now that you have two VMA nominations and a third song on the Billboard charts, "Supermodel," can you tell me what the song is about?

De Angelis: The funny thing is, everyone thinks it’s about supermodels, but it’s not. We wrote it three months later in Los Angeles where we met many people who were pretending to be models or stars. Everyone was so focused on the way they looked and not on what they really looked like or who they really were. Everyone was just trying to pretend they had the best clothes, the best friends, the best club, that kind of thing, and we found it a little dumb, of course, but it was something we thought was only shown in the movies, like a stereotype, you know, but when we saw it in person We thought it was fun and wanted to make a funny song about it.

I can tell you that no one in New York is like this. We are very real. If you had to compose a song about New York, what would it be?

De Angelis: Oh… (laughs)… We need to spend more months here.

David: I think it would be like a cabaret song, super dirty, clubs… (Laughter).

You’ve played different festivals, like Lollapalooza in Europe, but you’ll be performing at Lollapalooza in Chicago this weekend. What does it mean to play at Lollapalooza here in the US?

Raji: It’s crazy, it’s huge.

De Angelis: It’s our first festival in the United States. So, this is like something big, big…

David: It’s not our first festival! We played Coachella, come on! … (Laughter).

De Angelis: Oops, that’s right, Coachella. We’re kicking off the festival season this summer, and it’s only been Europe so far, so it’s a first this summer.

Raji: In the summer, yes.

You sing in English and Italian, but we have a lot of huge Italian singers in Latin America, and they sing in Spanish – Laura Pausini, Eros Ramazzotti, Il Volo – Do you think you’ll one day sing in Spanish?

David: Why not?

De Angelis: In Spanish?

David: I basically listen to Spanish sounding music, so I’m not going back… (laughs).

Your tour will start, and you will go to Latin America, Santiago, Buenos Aires. What does going to all these places look like, is it going to be a culture shock when you go?

David: Yeah, you know, we’ve never, outside of Ethan, never been to Latin America, never played there, but of course, we know something about the people there, and we know they’re really crazy … (Laughter) … excited And, preheated, we love these kinds of crowds. So, we can’t wait to play there, and it was one of the places that amazed me the most. When I saw the tickets that were sold out, it was like, "What is f**k?" -How did we get there? It was crazy, so we can’t wait to be there.

How has fame changed you, after all?

De Angelis: I don’t think he’s changed us.

David: Actually I’m less concerned about things. I think I’m stable… (laughs).

Do you feel that fame, when you’re that famous, comes with a responsibility to speak out about some political issue? Lots of artists say, I’m an artist, not a politician or an activist.

De Angelis: Yeah, for us, I think it comes naturally, so when we think we know enough about a topic, and we think our opinion can make a difference or something we don’t feel like pressure or something. It comes naturally, and we’re happy to do so. Also, if we can share a positive message about something that really matters to us, we’d be happy to do so. If not, we also don’t feel pressured to do so.

You sang a song in support of Ukraine, "We’ll dance on petrol," how do you feel about this situation?

David: It’s really hard to say that because we feel bad about it, but we also know we have a great privilege, without worry, we’re not worried that something is going to happen to us. So, we are fortunate, but of course, if we can spread knowledge about it, we are more than happy, and we feel that we have to do it because this is something that is happening today, and if we can do something today, it is more valuable.

One of your first songs was "Zitti E Buoni" which means "Shut Up and Behave". It doesn’t look like you’re going to be doing any silence or acting anytime soon.

De Angelis: No, not at all.

Where do we go from here?

De Angelis: I don’t know, we feel very free. We just want to keep playing. We have a lot of amazing parties and tours ahead of us, so I think we’re going to really enjoy it and get all the potential inspiration from that and then turn it into music. We don’t want to set any specific goals, but we just want to keep going and see what happens and keep getting better and do what we feel is right.

CNN’s Marisabel Houston Crespo contributed to this report.

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What 'The Jetsons' Predicted Right (and Wrong) About the Future

Get ready to meet George Jetson – because he’s about to be born.

The iconic futuristic man who pushes buttons and rides in a flying car enters the galaxy on July 31, 2022, according to the law of "The Jetsons." While George celebrates his first birthday, the show itself is about to celebrate his 60th birthday: it premiered on September 23, 1962, a century before it was set.

This means we’re only supposed to be 40 years away from the Jetsons world of Rosie the Robot, dental flossing machines and apartment buildings high above the clouds.

So why are we still stuck on the floor waiting for our jetpacks? And why, after all these years, do we still hold a slightly tacky old-school sitcom to serve as a beacon for what could possibly be?

"We’re still talking about the future in Jetson terms," ​​said Jared Baher-Brush, author of the 2021 book Hanna-Barbera: A History. "The show, which originally ran for one season, has had a huge impact on the way we see our culture and our lives." ("The Jetsons" actually appeared in two parts: its original 1960s run was only 24 episodes, and then the 1985 reboot had another 50 episodes.)

Read on to see what "The Jetsons" got right about the future—and funnyly what went wrong with it.

Instant Predictions

To an audience of the 1960s, the Jetsons visual phone — a hunk of hardware whose static screen gave way to an image of the person trying to reach you — seemed like a dream.
To an audience of the 1960s, the Jetsons visual phone — a hunk of hardware whose static screen gave way to an image of the person trying to reach you — seemed like a dream.
Everett Group

Despite its sci-fi setting, the show was a quintessential patriarchal sitcom of the 1960s, showing how George, his wife Jane, teenage daughter Judy, and young son Elroy endlessly cater to their needs with robotic tools and ubiquitous treadmills, yet no They still quarrel about model work and family drama.

However, "The Jetsons" "stands as the most important single piece of the 20th century’s future," according to Smithsonian Magazine.

According to Danny Graydon, author of "The Jetsons: The Official Guide to the Cartoon Classic," one of the things that clearly sets The Jetsons apart from other science fiction films is that it’s neither dystopian nor fantasy — certainly not "Crazy Max" but not the Federation. Peaceful Star Trek, too.

"She was trying to get a forward-looking view of where we might be a century after the show first aired," Graydon said.

Woman in a video meeting.
Woman in a video meeting.
Getty Images

To an audience of the 1960s, the Jetsons visual phone — a hunk of hardware whose static screen gave way to an image of the person trying to reach you — seemed like a dream.

By 2022, we’ve outgrown that technology without even realizing it — and we’re already sick of it. Skype emerged in the early 2000s, and FaceTime followed in 2010. Thanks to the pandemic, we all have video chat shockers, even if the name "Zoom" sounds like Jetsons-y.

"It’s really amazing how accurate it is, especially in the zoom age," said Bruch. "We’re starting to live this life more and more."

While rude robot maids like Rosie aren’t hitting the market anytime soon, we’ve been getting cleaning help in the form of Roombas — which are actually based on landmine technology — and other robotic brooms from ages ago.

Drone
Drone in the sky.
JCRice for NY POst
Roomba.
Roomba.
Corbis via Getty Images

We also have Jetsons flat screen TVs, cameras that can look inside your body and drones flying through the sky. In the year 2062, Elroy Jetson and his friends watched a replay of "Flintstones" in the back of the class on TV — something you can do now on the Apple Watch, which came out in 2015. While wrist wear devices also can’t make call videos as In view, additional accessories can take the feat, and Apple is expected to add a camera to the Watches very soon.

Graydon said he recently tried an exercise app on his Apple Watch and it reminded him of an episode where George was watching an exercise program without actually participating.

“Technology literally takes away the desire to do anything right,” he said.

You’re almost done, but you can’t use it

Judy Jetson fed her family with the push of a button.
Judy Jetson fed her family with the push of a button.
Everett Group

Matriarch Judy Jetson had a home machine that served breakfast at the push of a button. This technology has technically been around since 2006 in the form of 3D food printers, but it’s limited to exhibitions, labs, and experimental uses. One startup, for example, is using 3D printers Steaks made from vegetarian ingredients.

While the world is waiting for these tools to become widely available, you can Get the June Smart Oven, which costs about $1,000, runs over Wi-Fi and can identify the foods you’re cooking. In the meantime, smart fridges will let you see the contents of your fridge from your phone, but you still have to cook it yourself.

And that’s just the kitchen.

The June Smart Oven, which costs about $1,000, works over Wi-Fi and can sense the foods you're cooking.
The June Smart Oven, which costs about $1,000, works over Wi-Fi and can sense the foods you’re cooking.
San Francisco Chronicle via Jet

The Jetsons promised us a morning routine full of robotic hygiene machines that brush your hair and brush your teeth at the same time. Alternatively, we have some electric toothbrushes that are advertised on the podcast and still use AA batteries.

More advanced skin care – we already have it masks Which shoots LED light on your face and home lasers that resurface your skin. The movie The Jetsons definitely underestimated how much everyone cares about aging in 2022.

A machine to brush your teeth
A machine to brush your teeth on "The Jetsons".
ABC
Judy Jetson cleans her nails with a machine.
Judy Jetson cleans her nails with a machine.
Everett Group

When it comes to transportation, experimental military "jet bags" also technically exist in junk form, but you can’t use one. And self-driving cars could hit the market before 2062 if they can stop Killing people in the streets.

Many fans – including Browsh and Graydon – cite flying cars as the Jetsons' long-cherished invention. But they are also realistic about the challenges.

"[A flying car] "Until the first incident happened," said Brosh.

A prototype of a flying car tested by a Japanese company in September 2020.
A prototype of a flying car tested by a Japanese company in September 2020.
SkyDrive / CARTIVATOR / AFP via Getty

Capitalism still exists in the future, even though George Jetson only works three hours, three days a week, pressing a button at the sprockets factory. Brusch said the depiction of the workday is where reality differs from the world of "The Jetsons," at least in America, which still lags behind European nations in hours, work-life balance, and paid family leave.

"In this age, I think many of us are working more than ever," he said. "This idea that automation will not only make our lives easier has led to the panic that it will replace work."

No more "wow" factor.

Family in their flying car.
Family in their flying car.
Everett Group

We’ll never have a new show like "The Jetsons," said Graydon, because we’ll never be naive about the future again.

"It’s even harder to create really amazing views of the future," he said. "Technology is moving so fast, it’s actually very difficult to achieve the 'wow' factor."

By 2022, our optimism for the future has given way to a clear view of the obstacles: endless energy demands, supply chains, climate change, socioeconomic gaps, government inertia, and delusional tech-riches at all buttons. Our science fiction has become decidedly bleak. Apple TV’s "Severance" envisions a world where the workday technically never ends, while Westworld is filled with killer robots.

Rosie the robotic maid
While rude robot maids like Rosie aren’t hitting the market anytime soon, we’ve got cleaning help in the form of Roombas.
ABC

Now, the savvy audience will demand to know what the world looks like outside of Jetson’s space age home.

"What about the people on Earth?" Brosh asked. "Do they still live there?"

The show largely suggests that the Earth has been ravaged by smog, pollution, and extreme weather, making for a grim reality as humanity decided to live on top of their problems rather than make lifestyle changes to fix them.

When you think about it, all the tech advancements in the show point to a lazier future, a possible precursor to Pixar’s "WALL-E" world, where clueless humans live sedentary lives, oppressed by scheming robots. At The Jetsons, there are moving walkways and motorized chairs everywhere; Buildings centered on the sky make walking impossible anyway.

In the cartoon, everything is amazing, and yet no one is happy – but that’s how the creators planned it.

“It talks about the idea that as human beings we will always have something to complain about,” Graydon said. “One of the problems with Utopia is, if you create a perfect world, this world can be very boring.”

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The Simpsons, now 15, was always a sure thing

The Simpsons in The Simpsons, barricaded their front door.

picture: Disney / Twentieth Century Studios

Is there a family in the media that lasted so long The Simpsons? Five people (and one dog!) The yellow ball family It’s been going on since 1989, as long as some of our parents are married, if not quite alive. Depending on who you are, it hasn’t been quite a nice time with the show, presumably having its 34th season back on the air in a couple of months. In the case of First and suddenly Justy Theatrical film, time has proven how long this show will last forever.

The Simpsons movie Released on July 27, 2007, it’s a movie that the creators basically coded the show for in their DNA. Directed by David Silverman, director of the long-running episode, the script for the film came from 11 writers, all of them Simpsons veterinarians, Including Groening, Mike Scully (viewer seasons 9-12), Al Jean (viewer seasons 3, 4, and 13-33), and co-creator of the classic animation. critic).

the way to This was a very long film, with the idea of ​​making a theatrical film said to have been considered early in the show’s run. Multiple ideas were considered at the time, from a creepy tree house An anthology film to a straightforward flick based on the late informatics actor Phil Hartman Troy McClure. An attempt was even made for the fourth season episode "Kamp Krusty" to become a movie, but in the end, no one turned away for one reason or another. In 1997, 20th Century Fox finally Green lit movie productionThe show’s voice cast was signed on in 2001. As the series grew over the years, additional staff were hired so that it could work effectively alongside the film.

Photo of the article titled The Simpsons Movie was a unique but inevitable move for the Fox's family.  s Yellow

picture: Disney / Twentieth Century Studios

For those who haven’t been alive or watching The Simpsons In the mid-2000s, the idea of ​​it becoming a big movie at the time. It sure wasn’t the first movie based on an animated series, but it was – and it probably still is—The largest animated series that is fast becoming a movie. fellow cartoon juggernaut at the time, SpongeBob SquarePants And the Super Girls, Both went on to a theatrical role, and ended up on opposite ends of the box office spectrum: 2002 The Powerpuff Girls movie It was bomb, while 2004 The SpongeBob SquarePants movie This was such a hit that Nickelodeon reversed creator Stephen Hillenburg’s decision to make it the series' finale.

When The Simpsons movie It was released, grossed $536.4 million at the global box office, and is still standing The second highest-grossing animated film using traditional animation, right after Disney’s the king lion. (The one people like.) Though He will not be nominated for an Oscar, She has won a small set of awards, including Best Comedy at the British Comedy Awards and Best Animation at the ITV National Film Awards. And the reviews that liked the movie truly Like, He praised it for just being comfortable, Standard ring awarded wwith a bigger budget Longer running time.

After all these years, it wouldn’t be wrong to watch get a theatrical movie as the end Goal Western fees for to strive towards. It is not difficult for Japanese animation to bump into a theatrical film, such as shounen anime Fans are well aware. But it is still a huge obstacle that many cartoonists in the West could not even dream of, let alone achieve in reality.. Certainly, all of us you have a cartoon Which we hope is big enough to be equal Larger With a silver screen mod, so we can watch it show off its expanded budget inWarm up with our friends and fellow fans. Cartoon characters who jumped into the movie usually do so via Stream or directly to DVD affairsAnd while these movies can be charming and fun in their own right, they hit theaters You know? something substantial.

Photo of the article titled The Simpsons Movie was a unique but inevitable move for the Fox's family.  s Yellow

picture: Disney / Twentieth Century Studios

In this consideration, The Simpsons movie It’s still unique. Its broad appeal to both children and adults means something back in the day, and it probably still does now. I enjoyed Bob Burger When he appeared a few months ago, but his presence is a convenient place compared to the presence of Simpsons. And it’s likely to be the only cartoon that will come back like this again. At least, that’s true of the Fox cartoon: that sounds doubtful king of the hill He’ll get to the point of the movie if he comes back, and A man who loves family life It has so much cultural weight behind it that a hypothetical movie wouldn’t gain anything more than 'Well, I guess. "

Movies based on TV shows can serve a dual purpose, be it to provide a file (Hopefully) A new beginning or delivery of this type scenery and fun This can only be done if the original program’s running time of half an hour is allowed. The Simpsons movie is both of them; It’s a triumphant roll for a brand that has never experienced anything but victory. There was never any real danger that this movie would be a bombshell in 2007, it was a very cultural bit, and it still is to this day. The movie was always in the cards, it was just a matter of when. If Fox and Greening weren’t determined to make it happen, Disney probably wouldn’t have been long after the ink had dried.


Want more io9 news? Check out when to expect the latest marvel And the star Wars Releases, what’s next for DC Universe on Film and TVAnd everything you want to know about him Dragon House And the The Lord of the Rings: The Rings of Power.

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’Breaking Bad' statues spotlight actors, Albuquerque

SANTA FE, NM (Associated Press) – Bronze statues of legendary methamphetamine chefs Walter White and Jesse Pinkman were installed at a convention center in Albuquerque Friday to celebrate the TV series "Breaking Bad" and its entertainment legacy, drawing applause in the city for its bold supporting role.

Local politicians including Albuquerque Mayor Tim Keeler mingled with "Bryan Cranston" stars Bryan Cranston, Aaron Paul and director Vince Gilligan to help unveil the artwork donated by Gilligan and Sony Pictures.

The 2008-2013 show and its ongoing predecessor "Better Call Saul" helped fuel a renaissance in filmmaking across New Mexico, while also bringing Albuquerque’s real-life struggles with drug addiction and crime closer.

Gilligan said he realized that statues of "two notorious bogus methamphetamine dealers" would not be universally cherished in New Mexico.

“In all seriousness, there’s no doubt some people will say, 'Wow, just what our city needs,'" Gillian said. 'I see two of the best actors America has ever produced. I see them, in character, as two tragic, larger-than-life characters, cautionary tales."

Still a staple on Netflix, AMC’s series Breaking Bad follows the fictional underworld path of a high school science teacher, played by Cranston and a former student, played by Paul, as they collaborate to produce and distribute methamphetamine amid violence and suspense. Knitted tricks.

The show and its main characters have already been snuggled up on T-shirts and airport merchandise, while tour guides at Albuquerque Shepher cheer fans to previous movie locations in an RV replica of the show that doubles as a meth lab.

New Mexico has long struggled with the toll of addiction, with more than 43,000 deaths linked to alcohol and drug overdoses in the past three decades. Albuquerque is also currently dealing with a record series of murders.

Overdose deaths from meth and fentanyl surpassed heroin and prescribed opioids as the leading causes of drug overdose deaths across the state in 2020.

Keeler praised the positive economic impact of "Breaking Bad" and "Better Call Saul" on Albuquerque, acknowledging the dollars and joy they bring to a city he jokingly called "Tamale Wood."

"While the stories may be fictional…the jobs are real every day," Keeler said. “The city is also a character. … We see ourselves in many ways, good and bad.”

Farmington Republican Representative Rod Montoya said he admires Cranston as an actor but the statues are bringing the wrong kind of attention.

"I’m glad New Mexico got that job, but really?" Montoya said. "We’re down the path of literally glorifying methamphetamine makers?"

He also questioned the logic of the tribute after Albuquerque in June 2020 removed a statue of Spanish conquistador Juan de Onat.

Protesters have attempted to bring down this bronze artwork in denunciation of Onat’s brutal treatment of Native Americans nearly 500 years ago. Fighting that erupted during the protest resulted in gunfire, wounding a man.

New Mexico politicians, including Gov. Michelle Logan Grisham, have pinned their hopes on the film industry to boost economic opportunity in a state with the highest unemployment rate in the country.

New Mexico’s film and television industry recently reached a new production peak, with government spending reporting $855 million for the fiscal year ending in June. Recent video projects drawn to the country include "Stranger Things" on Netflix.

New Mexico offers between 25% and 35% off government spending on video production that helps filmmakers big and small to secure their work. The stimulus payments were $148 million in 2019.

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Clusterf*ck: Woodstock ’99 review: Netflix’s Prescient . doc

Netflix recently released Clusterf*ck: Woodstock ’99, a three-episode documentary series directed by Jimmy Crawford that explores the Emeritus Music Festival. Although it has been almost a year since the launch of HBO Woodstock own ’99 My documentary, which you thought might have already scratched that itch, immediately emptied all three episodes of the remake in the second they were available. Then I watched them repeatedly Two nights later when a friend came to visit.

I devoured it all, even though it’s pretty much stuff I’ve already seen, providing information I already know. I did it so quickly and with such reflexive effect that it forced me to ask myself, Why? What is it about this seemingly enigmatic event of 23 years that makes me want to keep reviving, paraphrasing, and remembrance? What answers do I hope to find this time?

The last time I searched for two docs about the same thing eagerly was Netflix and Hulu Fyre Fest Documentary Competition, so there’s probably something endlessly intriguing about watching music festival-goers suffer, arrogant festival organizers devoured by their arrogance. And sure, there’s probably a nostalgia factor. I was 18 when Woodstock 99 happened, so the time period is indelibly etched in my mind. It’s always cool to relive those days when she had bare breasts, baggy pants, and ICE keyback when the biggest political issue on most white kids' minds was how MTV sucks now and your moms were always trying to tell you what to do.

However, there is more Clusterf ** kThe allure of simple nostalgia. The music and costumes are gracefully outdated, but the event itself, and the way it is ultimately covered, feels like a cultural harbinger. It feels like an upcoming party for a certain brand of liberals after the corrupt counterculture that is still with us today. These forever optimistic but ignorant ex-hippies are seamlessly turning into "the guy" without even realizing it. Woodstock 99 feels like a transitional moment, perhaps the first time that people of my generation realized that the counterculture we had been raised to cult had become, and they were completely out of touch. They will continue to try to recycle their youth for new generations without acknowledging that the material conditions that produced it have changed.

Woodstock ’99 was an attempt to recreate Woodstock ’69, when Four Twenty Days organized one of the pivotal cultural events of the 1960s. 30 years later, some of the same people, notably original Woodstock arranger Michael Lang, have tried to do the same. Just instead of throwing a great free party with teams they liked to their friends, they did it sold for their children’s generation, using all the free love images that have been floating in the cultural ether for the past 30 years.

Even in the same gesture, this self-serving capitalism masquerading as pedantic altruism and an obligating generational nobility, you can see the origins of the Christ complex in Silicon Valley – the way Google built a sprawling monopoly while embracing "Don’t Be Evil" as a mantra. Instead of choosing works they know and understand, it was as if the organizers of Woodstock 99 had just gone to the radio programmers and called their top 40 works, with little regard for how they fit together or reinforce the festival’s stated themes. In this way, it seems like an early example of trusting "big data".

You probably already know the broad blows of what happened next: the organizers, who didn’t make enough money in Woodstock ’94 because the fence broke and people got in for free, moved everything to a decommissioned air base. To save more money, they farmed the logistics of unethical contractors, confiscated water from everyone on their way in, lost security, and once trapped 250,000 children inside a massive animal pen built over miles of hot black rooftop on the hottest weekend. From the year they deceived them into getting necessities like food and water while failing to provide the essentials like security, garbage and sanitation service. All while selling their flesh, abundance, and ultimately, their suffering, on Pay Per View. Festival-goers have seen food and water prices two and three times during the festival period, not yet knowing to call it "sudden pricing".

All weekend, the organizers have been fanning the rumors of a big surprise closing party—Prince? Guns and roses that have been standardized? Michael Jackson? Bob Dylan? Instead, when the last official presentation (Red Hot Chili Peppers) came, the audience received candles for the Columbine victim vigil, along with a giant video screen showing Hendrix’s old footage. At this point the attendees used candles to light the place on fire. Which was, hilariously, considered a traumatic event (Burning Man, which Always It ends with a big fire, it’s been swinging along without controversy for 13 years already at that point).

It’s funny that the ongoing debate at the festival was "What went wrong?" When it is absolutely clear to anyone why a group of dehydrated children has been denied Water He wanted to break the shit. And it wasn’t because Fred Durst asked them to "smash things", no matter how big a douche Fred Durst might be (I understand talking nonsense on Fred Durst makes the content of the doc interesting, but blaming him for the riots that happened After a full day and a half he ignores a lot of the underlying cause and effect.) to her credit, Clusterf ** k Music seems to be much less to blame than the HBO release.

What other recourse did these kids take after selling them a fake merchandise bill, then uprooting them, then exploiting them for content? Property damage was the most obvious way to even score. Organizers have turned the "Woodstock" brand into a commodity, and in retaliation against festival-goers they have successfully tarnished it for good. It’s easy to view, which is another reason why viewing these documents is so easy.

Of course, the leadership at that time, even after 23 years, seems completely oblivious to all this (if not prevented from recognizing it for legal reasons). The amazing aspect of Woodstock ’99 is less than the fires, riots, and sexual assaults themselves (which should be noted, Woodstock ’69 also had a lot of) from watching these same organizers continue to deny the underlying physical conditions that led to the disaster. In this way they appear to eerily reflect our current political leadership.

In an unforgettable sight, a Woodstock ’69 veteran drives around the litter-strewn Woodstock ’99 grounds (garbage transport contractors are nowhere to be found), trying to distribute trash bags in the vain hope of cleaning up festival-goers. after themselves. if to her Jill can clean up his own trash (citation needed), so why can’t he these Children? When her audience in general looks at her like she’s crazy, it doesn’t seem to inspire her much self-reflection. There is no acknowledgment that cleaning up the food and trash that you were allowed to bring to support yourself at a free concert is fundamentally different from being asked to pick up the $4 leftover water ($7.11 water in 2022) that you were forced to buy from a place that couldn’t keep trash or food Or the sewer after you paid them $150 to get in. Also, by the way, you own the rights to your photos naked in the mud forever.

Even 20 years later, after being interviewed nowadays, the organizers of Woodstock 99 are still unable or unwilling to learn the basic lessons. When asked why the children demolished the Peace Wall and looted their village the vendors, they said, seemingly without any sense of sarcasm, things like "I think they didn’t have the same spirit."

Time and time again, when presented with material conditions and institutional failure, they blame culture. Organizer John Scheer (again portrayed as one of the main villains in the story) says of festival attendees, "I think they deserve their due and are afraid to grow up."

Michael Lang, Shearer’s long-haired floral partner, adds, "I don’t think they were able to embrace social issues in the same way."

If the definition of insanity is doing the same things over and over and expecting the same results, what does it mean to expect people to behave exactly the same as you did while treating them completely differently? These people will take advantage of your youth and then describe you as childish if you object.

It wouldn’t seem relevant if the people who ran Woodstock ’99 didn’t look cut from the same Kente cloth as the people who currently run the country. Lang died of non-Hodgkin’s lymphoma three months after his interview was filmed. John Scheer (whose name has been conveniently deleted from Woodstock ’99 Wikipedia page, and Wikipedia in general, which must have cost a pretty penny – and didn’t do well considering most of his other search results news articles around him blaming women for their sexual assault) is still alive (he about 71, based on this Billboard article) and still works. Both are younger than both Joe Biden (79) and Nancy Pelosi (82), not to mention half the Congressional leadership.

This does not mean that everyone of the same generation is exactly the same (which may be implied I Responsible for the popularity of Limp Bizkit, a band that once released an album called "Chocolate Starfish and the Hot Dog Flavored Water"), but it’s hard not to see the echoes of that confused hippie lady desperately trying to hand out trash bags in all the horrible DNC fundraising email . “Won’t you please help us clean up this mess we created? All we need is more of your money!”

It’s hard not to see a bit of Joe Biden in the press conference footage that John Scheer and Michael Lang are increasingly taking out, insisting that all is well, and even if it’s not, it’s certainly not their fault. The Boys Chapo Trap House Joe once called Biden "the guy who told you the ice cream machine was broken" and I haven’t been able to think of him any other way since. John Sheer and Michael Lange were early adopters of this, the guys who smile and say the shit is full but they’re working hard on it. What is Bill Clinton’s famous phrase? "I feel your pain."

These are all people who have long ago sold the values ​​of peace, love and the power of flowers to gain a comfortable position in society, but if you point out their hypocrisy In any of this or their basic incompetence in any way, it is because you are too selfish or irresponsible. Young people are very empowered! They can’t even appreciate paying for things we got for free!

It is not their hypocrisy or incompetence that bothers them; Obviously, my generation is capable of the same, as the above-mentioned Fyre Fest example testifies to this. It’s a refusal to give up cultural talk, a refusal to stop insisting. Nancy Pelosi is in her 80s and has a baby tens, or hundreds of millions of dollars to its name, depending on who you ask. Diane Feinstein, who is widely whispered to suffer from dementia, is about 90 years old and even wealthier. Joe Manchin, the Dirty Democrats, is 74 years old and he is also a millionaire. Donald Trump It looks like this now.

Nothing against seniors, and I hope to become myself one day. But the vast majority of the political leadership on both sides is past the age when we would begin to consider them unfit for other jobs. that they could Just pop into the sunset to enjoy a relaxing retirement, aboard name-branded yachts and eat premium ice cream from custom fridges, everyone will be happy for them. However, they do not. It seemed they couldn’t manage one act that even Limp Bizkit was finally able to: leave the stage.

’Clusterf**k: Woodstock ’99′ premiered on August 3, 2022 on Netflix. Vince Mancini works Twitter. You can access his archive of reviews over here.

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